Leyli and Majnun – but does this also represent contemporary figures?

by

aWar-Rugs-027.jpg

Mr Rezwani and Michael Fletcher of Babak’s Oriental Carpets in Canada have sent this image – one which raises many questions. Is it a portrait? Of whom? Does the text answer the question? How does the text translate? What political position does the rug take, especially given the posed opposition of the military and buddhist figures? Has anyone seen a peaked frame like this? And what is the red object at upper center? A challenge to all visitors…

Nasser Palangi, a local artist from Iran, translates the text on the left as: “Barekat” which may be the makers signature or a form of blessing, and “Asheghan-e-karevan” which is a reference to those who follow the nomadic life.

Whether or not it’s a portrait, It’s certainly can’t be pro-Taliban (given their ban on figurative representations, and their anti-buddhist acts) So what is it saying, visually? Is it a parable of good and evil, with contemporary allusions?

aWar-Rugs-030 copy.jpg

aWar-Rugs-029.jpg

This appears to be the same “peaked frame” motif or pointed mehrab? (this detail drawn from Graham’s latest contribution). Can anyone explain the origins of this form?

aarug20.jpg

Updated to add – the mystery is solved with the help of Hossein Valamanesh.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s


%d bloggers like this: